Wilson: Stands out light on 'Imposter'

Erik WilsonRole model: "Let me play the role of bit a lot more like my spouse and just like Roger Deakins."Camera and film preferred: "I've much less of the preference it's increasingly more by what fits the project. I'm not sure what is happening with Kodak, but hopefully it will likely be film up until the finish of the year or at best a choice.InchPreferred tool: "My vibration isolator. It is going between your dolly and also the mind from the camera and removes bumps. A simple device."Representation: Within the U.K.: Kate Kotcheff, Wizzo Features as well as in the U.S.: Devin Mann, WME EntertainmentFor Erik Wilson, personality trumps experience if this involves dealing with novice filmmakers."I do not think it always comes lower to first-time company directors or experienced company directors, only a type of working," states the Norwegian-born d.p. "Paddy Considine, for example" -- his first-time director on "Tyrannosaur" -- "includes a strong feeling of what must be done. Exactly the same with Richard Ayoade" -- his director on "Submarine" -- "who's incredibly experienced and investigated and it is an encyclopedia of movies."On Bart Layton's "The Imposter" -- the storyline of the French disadvantage artist who passed themself off like a missing 13-year-old from Texas that performed on the planet documentary competition at Sundance -- Wilson focused on the story's re-enactments, versus the doc's interviews, shot by Lynda Hall."That which was interesting for me personally could be that the whole structure from the film was there already there," states Wilson. "It had been already an incredible film without other things. Therefore it was quite liberating to shoot."Wilson -- whose work will quickly be observed in "Now's Good," starring Considine and Dakota Fanning, and, further on in the future, Ayoade's "The Double," with Jesse Eisenberg and Mia Wasikowska -- lists Nestor Almendros, Roger Deakins and Robert Elswit among his favorite d.p.'s, even though 4g iphone required some education."I recall when Roger Deakins was nominated for 2 movies," he states, mentioning to 2008's double nom for "The Murder of Jesse James" and "No Country for Old Males," "and Elswit won, and that i stated, 'Oh, no, Elswit first got it rather than Deakins!' It had been before I'd seen 'There Is Going To Be Bloodstream.' I Quickly first viewed it. After which I stated, 'Oh, OK, great, fine. He is able to win.'"Trailer: "Tyrannosaur"Go back to 10 Cinematographers to look at Contact the range newsroom at news@variety.com